Short Stories on Wednesdays #30 (Guest-post week!)


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

Short Stories on Wednesdays is a weekly event intended to encourage folk to read short stories, a much neglected literary form. Every Wednesday you are encouraged to share what you’ve read with us in the comment section. You can even post links to any review of short stories you have made through the course of the week. Every second Wednesday we have a guest poster and/or a short story giveaway. Every fourth Wednesday we have a theme round which we try to choose a story to read. This, of course, is not compulsory.

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Hello everyone! I’m really excited to introduce this week’s guest poster, Joel Allyn (a.k.a Th3 Scribbl3r). I came across Joel’s blog a few months ago while exploring WordPress and discovered that he wrote short stories. It was curiosity that started me on one. And I’ve found that I’m always ‘curious’ about his stories. I don’t think his stories have a fixed theme since personally, I’ve always been surprised. I like that I have been able to react pretty strongly to all of the stories I’ve read so far. I have to admit, I have as yet to read everything he has posted on his site, but I can assure you reading even one of them is an experience. I won’t go on any further as I think it best that you ‘read’ for yourself and see if you don’t like his style, because Joel is very kindly allowing me to post his latest story on Breadcrumb Reads.

Hope you enjoy it! And if you find this story to you liking I would encourage to hop on over to his site and see what else you can find. I would highly recommend “The Gardener”, “Nostalgia” and “Breathing Shadows”. :D

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SISYPHUS by Joel Allyn

As always, the boulder rolled down the hill and once more, after a short reprieve, Sisyphus descended and attempted to roll the stone to the top again. He no longer wept when the inevitable came.

It was hot. His clothes had all withered away thousands of years before and so he was naked, and still it was so hot. It felt as though his flesh was on fire and yet, as he looked around he saw that the hill he pushed the boulder up was covered in lush tall grass and nestled in endless spring. There were purple and red flowers in bloom, swaying in a gentle breeze. He felt no breeze, and could smell nothing. He was drenched in sweat and his hands were more blisters than flesh.

Every time he pushed the massive boulder upward, slow step by slower step, he thought over his life. Things done and things left undone. Things which would have been better left undone. He wished he could remember the good things and that which brought him pleasure and joy. More than once he tried to steer his thoughts, to reminisce of childhood or his first love or even a sunset but succeeded only briefly. The focal point of his thoughts seemed to dwell around the negative acts he had committed and the virtuous ones he had not. No other thoughts were permitted. His memory was his tormentor, his apt mind his foe.

About a third of the way up, he hit a moist patch and lost his footing. The boulder rolled back slightly and when he attempted to push it, the sweat caused his palms to slip on the stone and the boulder almost rolled over him. Dropping to one knee he forced his shoulder into the rolling stone, halting its descent. He resembled Atlas, his broad shoulders alone supporting the weight of the world. Slowly, with great strain and care, he stood back up and after catching his breath, continued pushing the boulder up the hill.

As always, the memories came in droves, like a swarm of angry bees, and they stung. The pain was a familiar one, and yet each scar was opened anew and with each laceration he swore he had never experienced such agony.

Once, an eternity ago, he passed a beggar in the marketplace whose face looked familiar to him and even as the man called out his brother’s name, Sisyphus did not turn. Instead he quickened his pace and went on through the crowd until he came to a dark alley shielded from the light, where he fell to his knees and wept. The tears darkened the earth beneath him.

When his first wife lay dying of a painful illness, the thought came to him more than once to hasten her end. Not as a mercy, but in order that he may at last be rid of her and be free to welcome his mistress into the house. He saw his wife die a thousand gasping deaths on that hill, and each time was the first time.

Every time he at last moved beyond the image of his wife’s face, the visage of his first-mistress-turned-second-wife appeared. With a cruel clarity he saw her cold body dangling, with dripping wrists and broken neck, swaying from the rafters. Beside her his new mistress, their cook, who she had murdered. One of his second wife’s sandals had fallen to the floor to rest alongside his new mistress’ bare feet. He took both of them, before taking them both and burying them in secret atop a grassy hill. His shame was such a weight, that it seemed a second hunk of granite bound to his neck.

The boulder’s weight increased exponentially as he pushed it closer and closer to the top. To the end. Time was not an issue and all questions were ripped from his mind before he had time to understand their query. There were still many jagged edges upon the massive rock which had refused to be smoothed over by the wheel of time. As Sisyphus pushed ever upward, his palms raw, the points dug in hard and would pop the blisters. He kept on, leaving wet splotches of white and red on the grey stone. His shoulders howled for him to stop and his arms and legs had already begun to shake, much earlier than normal.

More than anger and less than hope welled in him and a fire was sparked. Instead of stepping aside and letting the stone roll away as he had done countless times before, he felt a new sense of determination and struggled on. Though Sisyphus had long ago abandoned his naïve hopes for redemption, he was possessed by a strange certainty that this was it. Then and there he knew he would not give in, no matter the pain or duress or if it broke all that he was. He was already a splintered man and was amazed to think that despite the outcome, this could be the last time.

I cannot say he did it without flinching, but nonetheless he faced the memories which came next with his head up and his feet firmly on the ground.

There was a child, a girl, with the first mistress, the second wife. He never cared for children but decided to do right by the wife he wronged and, as he saw it, killed. For seven months he raised the girl, stumbling along but managing to make his way, pushing on, convincing himself that what he felt for her was love. However, his inexperience was his undoing.

One day while fetching water he placed the child in the shallow basin to play and turned his attention from her, for only the briefest of moments he swore to all who would listen, and louder to those who would not. The briefest moment was enough time to snuff out the child’s fragile flame.

Awful as all this was, far worse was that not a week after he’d buried the girl, beside her mother atop the grassy hill, he found himself glad she was gone. He remembered this sickening realization over and over with a concentrated disdain. Each time he recalled cradling his wet, still warm yet still dead daughter, he felt the same helplessness, the pang of guilt and sorrow. Then he remembered how he refused to speak her name and turned her into ‘the dead girl’, then later just ‘the girl’ and then even later, dismissed as nothing, less than a whisper.

The rage he felt with himself helped muster the strength to push the weight of eternity on and on, and as sweat streamed from every pore he wept and screamed and went on. That fury fueled his ancient quivering muscles. For a brief stretch he felt like a god, and somehow managed to get almost to a slow walk when the boulder struck something and came to a dead stop.

At first, poor Sisyphus dreamed that somehow he’d finally reached the end of his torment, his justice. That the top had been crested and that the rock had come to a rest, but as he removed his hand the stone still rolled back towards him. Now that the rush of adrenaline had passed, the great burden nearly crushed him. When they hit each other like sumo wrestlers he stumbled back a few steps, surprised at how much heavier it was, and then dug his toes deep into the soft earth and attempted to hold the weight back with his outstretched arms.

The rock’s momentum, small though it was, was enough to get past his weakened limbs, but not quite enough to knock him over. He again dropped down upon the grass, but not on his knees. Instead he leaned so far forward that he was almost lying on his belly in the grass. He pushed off hard, digging in and kicking mounds of wet earth aside and then rammed his shoulder against the stone, leaving nasty gashes where several of the small points dug in and rubbed the faded flesh raw.

Sweating, crying and bleeding, Sisyphus pushed on.

When he struck the object which stopped him before, he grunted, held his breath, and then shoved harder and harder, reclaiming his upright position in slight degrees, he forced the boulder up over the small obstacle. Something gave beneath the weight of the massive rock and he heard a crunch. Looking down, he saw white pieces of bone scattered through the grass and knew it was the skull of a small animal. He knew what kind of animal it was too, but that memory was far below him now and he would not dwell upon it any longer. He faced it before he faced his wife, before his mistress and the mistress after, before the terrible atrocities he’d committed during his young adulthood, but after the minor misdeeds of his youth. That was where that skull belonged, that was its place and he had moved beyond it. Part of the skull fragments pierced his bare feet, and instead of flinch or attempt to extract them he pressed his foot down harder. Compared to the memories the pain was a relief.

Upward, ever upward, more and more weight piled on with each step, and still he kept on.

The hill gets steeper nearer to the top, and finally he sensed the ground’s angle begin to shift under him until it felt like he was pushing the rock up a wall. A desperate shadow of a smile crossed his face as he pleaded that this time, he may get there, and rest. More than that, he hoped he could just reach the top without reaching the memory he knew awaited him before it.

He never reached the memory before. The stone always rolled back down before then. Still, he knew.

A vile defeating thought infected his mind. Letting go was still an option. There was still the chance to just back away from the weight and give up. Yet he knew better, knew that even as it rested at the bottom of the hill he still felt the boulder’s crushing weight. Sisyphus, with skin raw and shredded, with blistered hands sticky with blood and puss, having stared into eternity for twice as long, pushed beyond anywhere he had dared before and weary as he was, continued upward.

When it hit him, it was worse than all the others put together and the torture was indescribable. Physical pain was but a mercy. He would have much rather been flayed and made to push a boulder ten times larger and covered in needles and broken glass, and been grateful for it. If only to avoid facing the thing he had buried away even from himself. It lay in a hollow mute cesspool flooded with impenetrable darkness, where all light is devoured and all sound is drowned.

He was a monster staring into the abyss, and the abyss also stared into him.

His eyes closed and for the first time, he remembered.

Their father told the boys that she was making them leave. He told Sisyphus and his younger brother that the only way for them to keep their home and their friends and indeed their lives, was for her to lose hers.

She was in the field, tied to a tree atop a hill where their father had left her. While the children saw to his wife, the father went into town to be seen, and to guarantee as many as possible saw him, he was in his cups. When the boys reached her and she saw their eyes and the object her oldest held, she began to weep and plead and curse their father. She rambled on about what the boys assumed was nonsense regarding their father’s affairs and her plan of taking them away to be safe from him. Something was said about him touching them and Sisyphus couldn’t stand anymore and so, filled with the rage and recklessness of youth he struck her hard with the club and what had been her jaw went slack and crooked.

The shock of seeing what he did, what he was capable of doing, left him frozen him in place and as his mother howled and bled he remained still, and silent. He wanted to take it back, he believed her, loved her, and needed her. He failed her, but he did not kill her.

After his yelling did nothing, his brother grabbed the hardwood club from his loose grip and did what Sisyphus could not. Still, he’d struck the first blow, the one that sealed her fate, and theirs.

Bawling like a baby and feeling as though he were moving Mt Olympus itself, Sisyphus summoned all that was left in him. The entirety of all that he was and had ever been, every ounce of love, hate, sweat, blood, memories, regrets, fears and fantasies. Screaming to the stars, he channeled it all and gave a final mighty shove, releasing everything he had, everything he was. The boulder rolled from his fingers, over one final hump, then it was still.

He let go of the weight. It did not fall back upon him.

He kept his hand hovering, shaking, over the face of the stone for a time, certain the second he believed it was truly motionless it would roll again. His legs gave out and he fell to the ground shaking. Sisyphus crawled around the stone to see what waited, half expecting there to be another hill atop this one or some other cruel joke. There atop the grassy hill, were several graves marked only with worn sticks surrounded by various sized piles of white stones. One grave, marked with a short pristine stick had only a small pile of pebbles. He knew his three lovers rested below, beside his daughter and mother. Beside their graves was a twisted and splintered branch stuck at the head of a place open for him, marked now with the great boulder.

Sisyphus pulled himself toward the end. Despite his weariness, it was not so hard to do. There was no weight to drag along through the grass that now felt cool on his skin. He felt the soft breeze too, and carried on the wind was the scent of flowers. He smiled.

Rest came, at long last.

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What Joel has to say besides the story:

It can feel like a lonely world for those who love a good short story, and an even lonelier one for those who write them. After finishing a great story you want – or at least I want – to discuss it and contemplate it and sit with it for a while. Then I move on and find another but the discussion can often become the highlight of the whole experience and I have found myself many a times having unforgettable conversations about forgettable tales.
     ’Short Stories on Wednesdays’  has become something I look forward to (along with the PRI ‘Selected Shorts’ series) each week as a guaranteed source of inspiration and entertainment. I have discovered new authors through Risa’s and others suggestions and am always rejuvenated each Wednesday when I am reminded that no matter what it feels like sometimes, there are still a plethora of readers out there who appreciate and love a story for the story, no matter the length. Ernest Hemingway said the best thing he ever wrote was a six word short that went, ‘For sale: baby shoes, never worn’. A handful of the right words in the right order can stay with us forever.
     Thank you all for taking the time to read and share what you find, and thank you Risa for giving us a place like Breadcrumbs to do it. I believe stories are our way of knowing ourselves and I am honored and humbled to be featured in a weekly tradition I have come to cherish.

Joel Allyn

Short Stories on Wednesdays #29


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

Short Stories on Wednesdays is a weekly event intended to encourage folk to read short stories, a much neglected literary form. Every Wednesday you are encouraged to share what you’ve read with us in the comment section. You can even post links to any review of short stories you have made through the course of the week. Every second Wednesday we have a guest poster and/or a short story giveaway. Every fourth Wednesday we have a theme round which we try to choose a story to read. This, of course, is not compulsory.

Note: Next week we welcome Joel Allyn, Th3 Scribbl3r, as our guest poster. :D

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As I mentioned before, I’m in the midst of one of Willa Cather’s short story collections. In fact, I nearly done with it. However, I’m afraid, I won’t be able to finish it today as I had hoped. I’ve been feeling as sick as a dog, and all I’ve been wanting to do all day is sleep (which I shall do the moment I hit the publish button to this post.) I can say that I’ve really been enjoying my tryst with Cather, and am hoping to start on O Pioneers! sometime later this month. :)

But, please don’t mind my lack of a review this week. What have you guys been reading?

Short Stories on Wednesdays #28 (themed Wednesday – a letter)


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

Short Stories on Wednesdays is a weekly event intended to encourage folk to read short stories, a much neglected literary form. Every Wednesday you are encouraged to share what you’ve read with us in the comment section. You can even post links to any review of short stories you have made through the course of the week. Every second Wednesday we have a guest poster and/or a short story giveaway. Every fourth Wednesday we have a theme round which we try to choose a story to read. This, of course, is not compulsory.

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This week’s theme is “a letter”.

“A Wife’s Letter” by Radindranath Tagore
So, I was googling up a short story that worked around this theme, and came across quite a few from some well-known writers. I finally decided to go for one written by Rabindranath Tagore. It’s a short story that was originally written in Bengali and later translated into English by Prasenjit Gupta.

The whole story is a letter from a “second wife” to her husband. She has left her husband and his family for the first time since she entered that household, on a pilgrimage. The letter is an outpouring of her thoughts and feelings regarding her status as a wife and woman in her husband’s household. The translation is very simple. There’s nothing dramatic about it. But I was quite taken up by Tagore’s views about the lives of Bengali women. I thought he portrayed them so brilliantly. Obviously, Tagore recognised that women were more than just pretty ornaments and home-makers. His protaganist is both beautiful and intelligent. However, he makes it clear that this woman did not feel beautiful, because, though her husband married her for her looks, he gave it no value. She was intelligent, though, and knew it so well, as did her in-laws. The latter were a bit afraid of her for that alone, and this, Mrinal, the protaganist, uses to help the helpless sister of her husband’s first wife. However, the lot of women in that time and place overwhelms both Mrinal and Bindu, and the latter succumbs to the fate of most women in her place.

As I’ve said before, the translation isn’t well done. I’m sure that in Bengali this story has a great deal more power and is beautifully written, especially as Bengali itself, is supposed to be a beautiful language. However, the theme of women’s plight in Bengal (and many other parts of India as well) comes through quite powerfully. I cannot say that I pitied anyone in the story. Mrinal is a strong woman, but Bindu represents thousands and thousands of women who go through the same thing in India. Tagore is representing facts. It moves you to think and ponder.

The short story can be found HERE.

Did you folk manage to find any other short stories revolving around a letter?

P.S. — the above isn’t the only short story I have read this week. I’ve been progressing further with Cather’s short story collection. But, I would like to talk of her short stories only once I complete this book. :)

Short Stories on Wednesdays #27


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

Short Stories on Wednesdays is a weekly event intended to encourage folk to read short stories, a much neglected literary form. Every Wednesday you are encouraged to share what you’ve read with us in the comment section. You can even post links to any review of short stories you have made through the course of the week. Every second Wednesday we have a guest poster and/or a short story giveaway. Every fourth Wednesday we have a theme round which we try to choose a story to read. This, of course, is not compulsory.

Note for next Wednesday theme: Next week’s theme for our short story reads is A Letter. You can interpret it to mean anything. Am looking forward to seeing what you all get to read around this theme! :)

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“A Gold Slipper” by Willa Cather
This was my very first Willa Cather read, and I think I’m really going to enjoy reading her works. I quite enjoyed her style and I’m curious about the America she writes about. From what I’ve read in this story, she sounds a bit like Edith Wharton, though I didn’t care much for the latter and her style.

But I’ve gone way off the point and haven’t introduced the story yet!

“A Gold Slipper” is about a businessman McKann being dragged off for a concert. He is quite uninterested in the singer, and finds himself uncomfortably seated in the concert hall, which adds to his discomfort. This famous singer, Kitty Ayrshire, notices his boredom and is obviously curious as to why he is so. A few hourse later McKann is in a hurry to get to the train station and he happens upon a stranded Ayrshire. On requestion he takes are into his taxi and to the station, just in time to catch the train. Once on the train Ayrshire accosts him eager to know what it was about her concert that he did not like. McKann is soon rattling off common prejudices of his kind to music and artists on the whole. Ayrshire is not offended…she is however, very curious, and a little disappointed when she realises she has nothing new to learn from McKann. They soon end their conversation, with Kitty Ayrshire quite sure that McKann would dream of her. In the morning he wakes up in his berth to find one of the golden slippers Ayrshire had been wearing at the concert, lying next to him. He tries to get rid of it but it lands up at his closet at home. He decides to keep it and puts it into his vault. Five years later we see McKann, ill and of hardly any use at all in his company. Aryshire and her golden slipper seem to have unmanned him.

I read this story from a collection of hers titled Youth and the Bright Medusa. If you would like to read it here is an online text.

What short stories have you all been reading this past week? And don’t forget! Next week’s theme is “a letter”. :)

Short Stories on Wednesdays #26 (Guest-post week!)


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

If you would like an explanation as to what Short Stories on Wednesdays is about please go here.

Note: If you’ve read any short stories this week, please submit your links in the comments section of this post.

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This week Mel U from The Reading Life has a lovely post for us. Having discovered about two years ago, that he enjoyed the short story form, he has read a countless number of short stories since. His reading covers a wide range of authors, styles, cultures and eras. Many a time, I have hopped on over to his blog looking for short stories from a particular place. His blog is quickly becoming the place to go to to find new short stories to read! The Reading Life is also the home of the Irish Short Story Week held in March, and the Indonesian Short Story Week held in August.

For this post Mel has chosen to speak of Indian short story writers. This was especially interesting to me as I was familiar only with the most famous among them, and I am eager to try the others he suggests. So, without more blithering on my part, let’s move on over to the main part of this post!

P.S. — If you would like to contribute a short story article to this blog, please fill in this form.

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A Guide to Getting Started in The Indian Short Story

When Risa of Breadcrumb Reads asked me to do a guest post on short stories to help kick off a year of  postings on short stories I was very honored but I was worried about finding a good topic to write about.   I have been following her blog almost since its inception and I share her passion for short stories.

About two years ago along with most of the book blog world I was not into short stories at all.   I felt that they did not give me enough of a world to enter and that they left you hanging.   With this prejudice in place I went decades without reading ten short stories.   Then I to my great joy discovered what a wonderful literary form the short story can be.  In the last two years I have read nearly 1000 short stories.   A good short story in just a few pages can take you into worlds very different from your own or can help you understand yourself better.     A good short story  can do more with a plot and characters than many long novels.   I cannot prove this and I know most book bloggers are just “not into short stories” but I now know I was missing out on some of the world’s greatest literature, some real wisdom and just a lot of fun.    I will never recommend a work of literature because it is something one is “supposed to read”.   If I do not think a work can be read for enjoyment as well as art I will not endorse it to others.    

A good short story does often require more work on the part of the reader than a novel in that you have less to work with and must be a more active reader.   Short stories go back further in the literary culture than novels, much further to pre-literate days.   They go back to the very start of what we like to call civilization and helped create the world’s major cultures and religions.

No literary tradition has older roots than that of India.   I will always admire Edmund Burke for telling the English Parliament that they had no right to rule India, a culture much older than their own.    Today I am going to do a post on getting started in the Indian short story.    I make no claims to expertise and  am purely self taught in literary matters and history.   

The Indian short story has opened up a marvelous new world of authors, cultures, traditions, history and languages for me.     The Indian short story is in a way many different sub genres.   Some of the short stories I will post on were written originally in English, some in Bengali, some in Urdu or Punjabi.   Some of the authors were as rich as kings and might as well have been kings in fact.   Some come from the Dalit, Untouchable caste.   Some are Muslims, some Hindus, some Sikhs, some atheists, some Buddhists  and some  Christians.   Some are deeply cultured educated by private tutors and speak and write several languages.   Some barely made a living.   Several of the stories are about the 1947 Partition of India.   Most of them deal in one way or another with the colonial experience, just like older Irish short stories do.   Most of the writers are men but there are some great women writers on my list, I think.  

Every story I will post on can be read online and I will provide a link.  I personally hate to read a post on a short story knowing I have no real way to read it.   My postings are always done as much as I can to help the millions of readers like me who live where there are no public libraries.   I will post on the stories more or less starting with the authors furthest back in time.   I will share some things about the author’s life and cultural importance and then tell enough about the story to hopefully make some people interested in reading them.

Rabindranath Tagore

“The Story of a Muslim Woman” (1941,six pages)

An Amazing Look Into the Future

The first Asian Nobel Prize winner  was Rabindranath Tagore who won in 1913 for his vast output  of poetry and short stories.    Tagore (1861 to 1941) was born in Kolkata, Indian into a family whose wealth and life style can now only be seen in movies.    His father owned an estate so huge that at one point in his life Tagore traveled through it on a luxurious barge and was met on the river bank by tenants paying token rents to him.     Tagore was educated in classical Indian literature and at age eight began to write poetry and ended up reshaping the Bengali Language.      His moral authority became so great that he was able to write the national anthems of both India and Bangladesh,.   He is considered prior to WWII and perhaps even now the most widely read Indian author both in the west and in India.   He wrote a lot of very much loved short stories, mostly in Bengali.   His stories are almost like parables and read like they could be from the wisdom books of any of the great religions.

“The Story of a Muslim Woman” is the very last short story that Tagore completed.   It was completed in 1941 but not published until 1955.   I do not know why it took so long to be published but it seems almost like a total prophecy of the events horrors caused by the 1947 partition of India and even the Bangladesh War for Independence in 1971.

The story opens in the home of an affluent of family.   The niece of the husband is in the care of their family because her parents are dead.   The wife hates her and wants her put out of the house, whatever it takes.   She feels a beautiful young girl will attract rapists and thugs to their household.   Daily life in the region had gone 

to conditions of near anarchy and their was no real leadership anywhere.

These words say much about the history and lot of women in India:

“ Kamala was very beautiful, though her parents were dead. The family would have welcomed her death too; but that did not happen. Her uncle Banshi brought her up with great affection and extreme caution till now.

      However, her aunt would often complain to her female neighbours, “Look, her parents left her to add to my burden. Nobody knows what can happen to her any moment. I’ve children of my own, and among them she’s like a burning torch of destruction. She can’t escape the evil gaze of wicked fellows. She alone will sink my boat. For this reason I can’t sleep at night”

Her aunt wants her dead but she does at last receive an offer to become the second wife of a wealthy man of the same caste as her family.   The offer is at once accepted even though women want to be first wives, not second, third or fourth.   Her aunt is just so happy to be rid of her.  

In order to get to the house of her soon to be husband she has to pass through lawless countryside.     Her caravan is attacked and she is kidnapped by bandits.   As she is quite beautiful she is taken as bounty to the home of the bandit leader.    The bandit, a Muslim, allays her fears and tells her she will be allowed to live in peace in his house.   She and everyone knows she can no longer marry a Hindu and will be considered a disgrace to her family and caste.   In the culture of the time, if a  woman was raped it was considered her fault, she was damaged property and would often end up thrown out of her own house and family.   Her family would never believe that a Muslim leader would protect her and keep her totally safe in  better fashion than her birth family ever would.

The house of  the Muslim chief has apartments for eight wives.   He allows the woman to live in peace totally unmolested.   There is even a temple dedicated to Shiva which allows the woman to practice her religion.   He never attempts to force himself on her and does not allow her to be disrespected in any fashion.   In time she falls in love with a man from the leaders family.   She repudiates her old faith and her caste saying she has found her destiny in her new home.  She is proud to become a Muslim woman and falls in love with a man of her own choosing.   (spoiler alert)-

As the story closes, years have gone by, the woman is along on a raid on a caravan.  She discovers that in the caravan is her cousin, the daughter of the aunt who hated her and wished her dead.   As a gesture of the sincerity of her face, she allows the young woman to proceed on her way to her arranged marriage to a man she has never met.

I can see this story as perhaps at one time offending the core audience of Tagore.   That he would write such a story in 1941 shows deep wisdom and an incredible insight into the future of  India.   


Khushwant Singh

“Karma”  (1957, 5 pages)

 Colonialism of the Mind

Khushwant Singh (1915-Hadali, Khushab, British India-now Pakinstan) is one of the best known Anglo-Indian writers.   At ninety six years old (I think he still has a weekly newspaper column) he is one of the  premier Anglo-Indian authors.   He was born into a Sikh family and initially pursued a career as an attorney.    He was driven to begin writing in a reflective often acerbic way about life in the Indian subcontinent by his experiences of the 1947 Partition of India.   He was very traumatized when just prior to the Partition of India he encountered a platoon of soldiers of his faith who boasted to him that they had just completely massacred a  peaceful village of Muslims, men, women and children. 

“Karma” is very acid, almost cruelly funny story about Sir Mohan Lal, a man who is portrayed as being in love with the British and every thing about their culture. He can be said to be an Indian version of “Uncle Tom”.       He sees anything from India as stupid, dirty and inefficient compared to an English counterpart.   This contempt extends to the people of India and his own wife.   You can almost feel the bloated way he insists to himself that he is “Sir Lal” and he is sure the English see him as their equal.     He and his wife are going on a train trip.   His wife does not feel comfortable in the first class cabin that Sir Lal insists he must ride in so she rides in the back in second class.    Two English soldiers board the train in the first class section.   They are very annoyed when they see Lal in the compartment.   He tries to speak to them but they cannot figure out what he is saying (the English soldiers are from the bottom rank of society based on their dialect).   The soldiers look upon him almost as if he were a monkey trying to speak English.  Then one of them says “throw the  nigger off the train”.   The next thing “Sir Lal” is seen face down on the train platform as his astonished wife looks out on him from second class as the train pulls away.  


Amrita Pritram

“The Stench of Kerosene” (1960, 5 pages)

Stories of the Real Lives of Women in the Punjab Region of India and Pakistan

Amrita Pritram (1919-2005-She was born in Pakistan) is considered the first prominent Punjabi woman  writer.   She wrote poems, essays, novels and short stories.   Her work is highly regarded in both India and Pakistan.    Punjab before the partition of  India was in Northwestern India.    There is now a Punjab state in both Pakistan and India.   The Punjab region is home to some of the world’s oldest civilizations.    There are around 100 million speakers of Punjabi today.    Some of the worst impact of the partition of India was felt by the Punjabi people whose homeland was divided up by two countries.    When India was partitioned Pritram moved from Lahore in what is now Pakistan to India. She was of the Sikh faith and this is why she moved to India.    She won many literary awards and is known as the voice for Punjabi women.    She married and divorced.   She worked for several years for All India Radio (AIR)  and edited for 33 years a literary magazine.   She was also fluent and wrote in Hindi.    Toward the end of her life she became a follower of Bhagwan Shree Rajneesh, an internationally known spiritual teacher.

“The Smell of Kerosene” is set in the rural area of Punjab.    The central characters are a happily married couple and the man’s mother.    All of  them lived together, as was the normal practice.   The couple met by chance and the man at once felt love for his future wife.   She told him to go to her father and arrange a marriage which he does.    Seven years go by and the couple have no children.   They are very happy and accept this.   The mother- in- law does not.   In the eight year of marriage the mother- in- law finds a second bride for her son in the hope she will have a grandchild.    The man feels nothing in his heart for the new wife but she does become pregnant.   (spoilers ahead)   His first wife is heartbroken even though the husband tells her he is married in his soul only to her.    Every year the first wife went on a trip to see her old girl friends from before her marriage.   This year her husband has a very bad feeling about this and begs her not to go.    She does not return when expected.    A friend comes to the house and advises them that the wife dosed herself and her clothes in kerosene and set herself on fire.    Shortly after this  the second wife has her baby.   The baby is presented to the husband.   He screams that the baby has the stench of kerosene about him and clearly will never accept the child.    

“Stench of Kerosene” can be read HERE


Mulk Raj Anand

A Pioneer Anglo – Indian Author

“The Tractor and the Corn Goddess” (1938, 6 pages)

Mulk Raj Anand was a founding father of the Indian novel in English.    He along with R. K. Narayan  Ahmed Ali and Rajo Rao was one of the first writers from India to gain an international readership in English.    Anand (1905 to 2004-99 years-Peshanar, India) after graduating from college in India went to England to receive his PhD.     While at Cambridge (the university of choice for Bloomsbury) he became friends with people like E. M. Forester  and George Orwell.   He was a passionate admirer of Gandhi and a strong supporter of the movement for Indian independence.   His first novel, Untouchable (1935) brought him world- wide acclaim as the Charles Dickens of India.   He was a friend of Pablo Picasso.    His literary output was very large including several novels, lots of poetry and numerous highly regarded short stories.   He was a strong force for good in the world. 

“The Tractor and the Corn Goddess” is a fascinating story that tells us a lot about how the ordinary Indian felt about his English rulers and the coming of western technology to rural India.   I really liked the treatment of the conflict of Indian religious traditions and the British Raj.    It also shows the very conservative attitudes of many that in effect worked to keep the British in power.    I will tell a bit of the background setting and the plot but I really hope this story will be widely read.    As the story opens, the leading landlord in the area has died.    His oldest son, who has been in Europe studying (in theory!) and falling into what the residents of the area see as decadent ways is now the major land owner.    He proposes something very radical.   That he will give most of the land to a collective owned by the people who work the land.    The richer people in the area are all totally opposed to this idea and horrified by the suggestion of large scale social change.   The people in the area really get upset when the son buys a tractor.     Everyone is at first horrified by it and sees its plowing as a blasphemy toward the Corn God.    Also they are concerned with the long- term implications for the livelihood of the people in the area when they learn it can do the same amount of plowing in one day that it would take 100 men using the traditional methods.     There is a lot in this story I have not relayed.

You can read this story at Google Books.   Just do a search for Mulk Raj Anand

Caste Discrimination in Elementary Schools

A Story by a Leading Dalit Author

“Scorn” by Bama Faustina (2004, 3 pages, in translation from Tamil)

Bama Faustina is one of the first Dalit Tamil writers to achieve international attention for her work.   I confess I did not know what the word “Dalit” means when I first encountered it.   A Dalit person is one whose ancestors were members of discriminated-against castes.    The Indian government has classified about ten percent of the populace of India as being of Dalit descent.   (The common western parlance for this   is “untouchable”.)    Caste discrimination is illegal in Indian but it is still very widely practiced, especially in rural areas.   Members of Dalit castes by practice and custom live among themselves and face great prejudice.    There are 3000 plus recognized castes, 49 of them are considered Dalit castes.   

Seventy five percent of Christians in India are of Dalit caste background.  When Christian missionaries first entered India, they had their best success among the poorest of people, the untouchables.   I know this is a very complicated and sensitive issue which many prefer to sweep under the rug, but writers like Bama Faustina are bringing international focus on the problems of Dalits.    Oxford University Press has published translations of her novels and she has also published a successful collection of short stories.   She is a teacher in Uthiramerur. She is a Roman Catholic.

“Scorn” opens with a child and his mother arguing.   The boy, he seems about 10, does not want to go to school today.   He wants to go into the forest with his mother who works as a charcoal maker (once a very common occupation for members of Dalit castes in a country where most people still cook on charcoal).      His mother tells him that she and her father are working very hard and sacrificing to send him to school so he will not have to be a street sweeper, a charcoal maker,  or house boy.   She wants to know why he does not want to go and he will not give her a straight clear answer.   She finds out from her neighbors (everybody on her street are Dalits) that he was beaten by higher caste children at school because he forgot his lunch box and ate food  (with permission) from the lunch  box of a higher caste child.   When he went to complain to the teacher, the teacher beat him and said he is  was just an ignorant Dalit that does not even know the customs of his country.   

The next day the mother and the boy’s father go to the school.   The father was terribly upset by what happened.    He accepts that he has always been treated as the lowest type of person by accident of his birth but he will not accept this as the fate of his son.

The next day the parents go to the head master of the school to complain.   They are told that what happened to their son is their fault.   If they had only taught him his place in life this would never have happened.     The parents begin to talk to other parents on their street.   They find out that one time money was missing and they searched only the Dalit children.     The headmaster even tells them that the Dalit children at school are always assigned clean up duties as cleaning up after their betters is part of their heritage.   The headmaster tries to be nice about this and says, meaning it as a compliment, “Well the children from your street are just naturally made for clean up work”.      Here is how one teacher explained it all to the  head master:

“Kattari ran and hugged his father and started crying. Meanwhile, a teacher came to the headmaster and said something to him. At once the headmaster told the headman of his street, “Let them be. Why should you beat a dog and earn the burden of sin? Why do you want to deal with them at all? Just touch these people and they’ll make trouble. These people are not like they used to be. Let them be.”

One of the very saddest aspects of discrimination is that children of discriminated groups begin to believe it is true.   There are even terrible TV commercials run here in the Philippines (by big international companies) selling skin whiting cream for early teenage girls.   

“Scorn” is a simple story that puts a whole world in a few pages.   It was translated from Tamil by Sarsa Rajagopal).     I suspect it took real courage to write it.   For sure it is worth the minute or two it will take you to read it.

You can read it online at The Little Magazine.


A War Between Cousins in 1500BC 

A Story Inspired by the Mahabharata Epic


“Before the Stars Could Foretell”  (1998, 5  pages)

Sharadindu Bandyopadhyay (1899-1970, Jaunpurin, Uttar Pradesh, India) is best known for his creation of what some would call the Sherlock Holmes or Father Brown of India, Byomkesh Bakshi.   After graduating from college, he obtained a 

law degree.   He began to publish literary works while in law school.   In 1938 he moved to Calcutta to be a screen writer for the film industry.   By 1958 his works were such best sellers that he became a full time writer.    He is famous for his historical tales set in the Bronze and Iron Age in Northern India.   He drew

on the great epics of Indian literature and gave them a human face.

“Before the Stars Could Foretell” is set in Northern India, around 1500 BC at the time of the Kurukshetra War.    The precise details of this war

are lost to us but Bandyopadhyay does a good job of making it come back to life for us.    As the story opens we meet two very good friends who led an army against their neighbors and defeated them.    They are such good friends that each one wants the other to have the honor of being king of the area the conquered.   They came up with a very interesting way to divide up the ruling of the kingdom.   One friend would start out as king and pass the title to his friend on the next lunar eclipse.  The friend who is not king will act as head of the army.   All goes well in the kingdom for a while until there is a revolt in the southern territories.  The general takes the army to fight  the rebels.  

One of the friends returns with a captured princess.    This infuriates the rebels and they renew their fight.   The general leaves the princess in the care of the king and asks him to instruct her in their language (as of now they cannot speak to each other) as he intends to marry her.   The princess is very intelligent and quickly learns the language.   She argues that it is against their mutual traditions and law to abduct women.   She is told, in a remark that is a commentary on some of the still prevailing customs of the area, that there is nothing wrong with abducting a woman if you intend to marry her!

There is an interesting and fun twist at the end I will not spoil  it for potential readers.

This is a well told story.    It is hard to do a short story as historical fiction as you do not have a lot of space and time to set the background but Bandyopathyay does a good job of making the past come to life for us.   

You can read the story HERE


Sumil Gangopandhyay 

“Three Men” (2000, 4  pages)

Corrupt Corruption

Sumil Gangopandhyay (1934) was born in Faridpur in what is now Bangladesh.   He currently lives in Kolkata (Calcutta) in India.    He is considered a leading novelist, travel writer, children’s book author and is best known as a poet.   He writes in Bengali and English.   He was educated at the University of Calcutta.   He has had a long a very distinguished literary and professional career.   In 2008 he became director of the National Academy of Letters in India.   This is a government funded but administratively independent organization whose purpose is to promote literature and the maintenance of the diverse languages of  India.   He is known partially through his being mentioned in a famous poem by Allen Ginsburg.

“Bangladesh is often, fairly or not I do not know, listed as among the most corrupt countries in the world.)   The three men in the story are an ordinary worker, his manager, and the general manager.    Tapan, the worker, has begun to feel more and more self-contempt for his role in the corruption of  the company.   The company was recently involved in a press scandal in which it was documented they withheld baby food supplies in Bangladesh for two weeks in order to make consumers pay much more. This in a country where millions are on the edge of starvation and low value diets in infants cause terrible future problems.    Tapan, not in fact a perfect employee himself-he often misses work with no call in for example-is going into his boss’s office to follow up on a denouncing letter he has written in which he gives his resignation.    As you might guess the conversation does not go well.  Tapan then demands as seems to be his right, to speak with the general manager.    As he waits outside the general manger’s office he is advised by someone who does not know why he is there that he will from now on be getting a clothing allowance.    Tapan starts to think about his wife (he just got married a year ago and supports his aged father) who wants a house of their own soon.

As he enters the office the general manager tells him he can come in next week to pick up his final paycheck but if he continues ranting in the office he will have him thrown out by security.    As the story ends Tapan begs for a second change.   Before leaving for the day, he stops in the company comfort room.   He spits in his own image in the mirror.

“Three Men”  (written originally in English) is a moving story about a man with a consciousness of right or wrong trapped in a web of corruption.

You can read it HERE


R. K. Narayan


“An Astrologer’s Day”  (1947, 6 pages)

A Story by a Genius of the Form.

R. K. Narayan (1906 to 2001-Chennai, India) was an immensely prolific highly influential author. He was one of the very first authors from India who wrote primarily in English and was one of the very first Indian writers to be read widely outside of India. In addition to fifteen novels, he published in his life- time five collections of short stories. Many of his short stories were set in a small town he created. I admit I had not heard of him prior to this morning. 

“An Astrologer’s Day” takes place in a small town in India in 1947. In 1947 India gained its independence from the British Empire and was a time of immense change and turmoil. In the world of “An Astrologer’s Day” it might as well be 947 or even 47 for that matter. Our central character left his home village many years ago, under a cloud of trouble we at first do not understand. He has the ability to convince others he can see into the future through reading a client’s astrological chart. He marries and sets up a shop in the market by a highway in which he tells fortunes and gives advice. He has learned to listen very carefully to his clients and ask a few opened questions that give him enough data to seem to have a mysterious knowledge of the lives and future of his clients. He knows he is a fake but he has learned to give his customers what they want and he has a family to support. Here is a great sample of Narayan’s prose style and description of the method of the fortune teller:

He had a working analysis of mankind’s troubles: marriage, money, and the tangles of human ties. Long practice had sharpened his perception. Within five minutes he understood what was wrong. He charged three paise per question, never opened his mouth till the other had spoken for at least ten minutes, which provided him enough stuff for a dozen answers and advices.

One day a stranger challenges the astrologer to look into his past and future. He gets everything right without even asking the man any questions. How he does this provides a wonderful ending to the story that really surprised me and for that matter shocked his wife when he explained to her how her was able for once to really know the truth without being told it.

“An Astrologer’s Day” is a really good example of why I like short stories. In just a few pages Narayan brings to life for me a world very remote from my own experience while allowing me to project myself into the world of the story. I liked the way the astrologer is honestly a fake! The story only takes us back 64 years but it gives us a look at a a very old culture.

“An Astrologer’s Day” can be read Here. It is a very good story well worth the few minutes it will take you to read it. 


“The Quilt” (aka “Lihaf” 10 pages, 1944, translated from Urdu by M. Asaduddin) by Ismat Chughtai عصمت چغتائی

A Ground- Breaking Story by the Greatest Female Urdu Short Story Writer

Ismat Chughtai (1915 to 1991-Pardesh, India) was born into a very traditional and conservative Muslim family.   Chughtai earned two  

degrees in spite of her own parent’s opposition to education for women.

Most of the female, and nearly all of the male authors of the time of the writing of “The Quilt”-1944-advocated only the very slowest changes to the social order as it regarded the rights of women.  Chughtai was seen at the time as a radical advocate of women’s rights.  For example, she opposed the requirement of the veil for Muslim women and advocated equal educational rights for women.   Her writings have been banned as too radical in some countries.

“The Quilt” is an amazing and shocking story for the time and place it was written.   It is about a lesbian relationship set in a time when this could result in stoning to death.  It is told in the first person by a young woman who was given in married by arrangement while she was at most fifteen or so (normal practice at the time)  to a  much older wealthy man.    Her family expects her to get pregnant soon and fatten up while living a life of forced leisure in the female section of the house.  The young woman soon finds out her husband prefers the company of beautiful young men. 

The shocking conclusion in the story is slowly and artfully built up to.   I do not want to give away any more of the plot of the story.  (There is a link to read it online at the end of the post.)

Chughtai was tried for obscenity for this story and found innocent.   Even though no words are used in the story that could not be in a children’s story, “The Quilt” does have a lot of erotic power.   It is a story about the 

effects of long time neglect and loneliness.

You can read “The Quilt” online HERE


“Bitch” by Mrinal Pande (2004, 3 pages)

A Wonderful Story by a Leading Hindi Advocate of the Rights of Women

“Bitch” by Mrinal Pande is another great short story from the pages of The Little Magazine.

Mrinal Pande (1946, Madhya Pradas, India) has had a very distinguished career as a print journalist.    She is currently the editor of a major newspaper and has her own TV show.    She has served on numerous commissions on the rights of women and children.   She has taught at several major universities.    She is the daughter of the very famous writer, Shivani (on whom I will, I hope, eventually post).   She is married and has children.    She published her first short story when she was 21 and basically has been writing ever since then.   She writes in both Hindi and English.    

“Bitch” (written in English) at once caught my eye as I was looking through the many short stories online at The Little Magazine.   It is about a conversation a between a woman who hosts a TV show (as the author does) and her maid about an article they saw in the newspaper about a four year old girl whose parents married her to a dog in order to ward off the evil eye from their family.  You can read it in just a minute or two.    It told me a lot about how ordinary Indian women seem to feel about marriage.   The maid can speak a bit boldly as she is herself a grandmother.   (The maid likes her employer because she does not follow her around as she cleans or inspect her bag when she leaves.   I just finished The Help last night and this story could be out of an Indian version.)

The TV commentator is trying to tell her maid what a shameful even illegal thing the parents have done in marrying a four year old girl to a dog.   The maid thinks it is perfectly OK and feels a dog is a step up from most men.   I really liked this exchange:

““But don’t you see it is illegal? The police —”

“What police?”
“The local police.”
“No, no, why should the police bother?”
“Because you can’t marry off a girl before she’s eighteen. It’s the law.”
“So? She’s not married to a man.”
“Gauri, don’t you see? Her parents could still go to jail for this.”
“Who will speak against them? The dog?” Gauri collapses in laughter.
“It is no laughing matter,” I say. But I, too, am laughing.
“Oh Ma, at least he won’t come home drunk and beat her. Or arm-twist her family for a wrist-watch or a bicycle, or get her pregnant as soon as he can, and then run off with another woman. A son of a bitch is better any day, Ma, any day, than the son of man.”
“But the girl…”
“What about the girl? She looks happy. She must have eaten her fill of sweets, been dressed in new clothes. What more can a girl want?”
“But why should she be married to a dog before she knows what marriage is all about?”

The maid then begins an  account of  the terrible events of her marriage.   

“Bitch” is a really fun, beautifully written story that packs a lot in its few pages.   I liked the spirit and admired the strength of character of the maid and her ability to keep laughing.   

You can read it online HERE

The Indian  Short story has opened many new worlds of learning and sheer delight for me.    It is an inexhaustible reading area that can take us as deep as we want to go.   For some of us the stories are about lives very different from our own, others will see their lives and ancestors in these stories.   In these stories you can profit from the profound wisdom of Tagore( Yeats was in awe of him and Einstein discussed metaphysics with him) or laugh at the cynical stories of Khushwant Singh.   You can learn a lot about the lives of women from  the hilarious story of  Mrinal Pande about a four year old girl whose parents married her to a dog.  If “Kerosene” by Amrita Pritram does not shake you up a bit, have yourself checked over.  Then there is R. K. Narayan.   He really is a genius at the short story.   You can enter for a little while in the lives of Dalits, it won’t be easy, or if you would rather, you can imagine you are a 15th century Maharajah.   

I will be reading Indian short stories and longer works the rest of my life.    

I wish to thank my quite brilliant cousin S for editing help with this post and Risa for inviting me to be a guest poster.

Short Stories on Wednesdays #25


Welcome to the 2012 edition of Short Stories on Wednesdays! :)

For those of you who are new to this, a few things:

  • This weekly meme was first begun to encourage myself and others to read at least one short story a week. So, if you feel like you would like to give this oft neglected genre (form?) a chance just hop right in!
  • All links to short story posts are to be added to the comments section. I don’t use a link-up button.
  • You don’thave to have a write up on the short stories you have read. You can just mention them in the comments section.
  • Hop along and check out what others might be reading. You never know, you might be inspired to try writers you’ve never tried. I know I have! :D

To old and new participants alike I have a couple of new features included:

  • Every fourth Wednesday we’ll be having a theme-read. This means, on the third Wednesday of every month I will announce a theme for the following week. The idea is to pick up a short story that revolves around that theme, and share what you’ve been reading with the rest of us. I figured it would be a fun way to discover what different kinds of writers can do with one theme!  Following the theme is not compulsory, though. So don’t panic. :)
  • Every second Wednesday I plan on having a guest post by fellow bloggers or a giveaway by short story writers (should any be interested). If any of you are interested in  contributing an article regarding short stories or a short story itself, please do fill in this form.

Note: Next week’s guest post is by Mel U from The Reading Life. Stay tuned! ^_^

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 I’m really excited about starting this new year off with our very first post! For those of you who have been waiting to link up, I apologise for this delay. I woke up extremely early this morning, and having gone to bed very late last night, I wasn’t in a fit state to read or do anything except browse. Now that I’ve managed to get in an hour’s sleep while my little one was napping, I feel completely refreshed!

So, what have I been reading?

I got back to Murakami’s short stories about half an hour back. (Yes, I was reading for this post!) And I feel like I should be neglecting this collection any more. I really enjoy his short stories. Hopefully I’ll be able to finish Blind Willow, Sleeping Woman by the end of this year.

“The Mirror” by Haruki Murakami
Every time read one of these short stories I can’t help but have the entire story run through my imagination in the for of Japanese anime! I’m not sure how many of you here watch anime, but there are some very strange series out there that I am beginning to suspect is a very Japanese trait. Their ghost and supernatural stories are just plain weird. And fascinating!

“The Mirror” is written in the first person. The narrator is actually part of a group that you can imagine, is sitting in a circle, in a darkened room, each friend talking about the ghosts they have heard of or have seen/felt. Our narrator, however, has never seen a ghost he says. But then he recounts an incident that happened to him when he was a teenager. Absolutely creepy! I like how Murakami ends it:

…the most frightening thing in the world is our own self.

“The Birthday Girl” by Haruki Murakami
I wonder if any of you who read my review of Murakami’s “Birthday Girl” remembers that I hadn’t a clue what the ‘wish’ was? If you look at the comments section of that post, someone pointed out to me that the girl’s wish was that she would never have a wish. I went back to reading it and realised that that could be it! :D

“The Brothers” by Louisa May Alcott
Yep! I’m still reading Alcott short stories. I’ve yet to complete the four-story collection I began with “A Modern Cinderella” and “Debby’s Debut”.

This particular story was completely different from the first two. It is narrated by a young Yankee woman who was a nurse during the Civil War. She recounts a particular incident of a patient who was dying and she had to attend to. Sent in to help her was a ‘contraband’. I’ve put that word in quotes because I’d never heard it before. For those, like me, who don’t know — a contraband is a person with mixed blood in them (by mixed blood I mean a mixture of races/colour). So, this young lady has a contraband to help her with her white patient, and she soon learns that her helper is really out to kill her patient. Apparently, he has strong reason to want to seek revenge, but our narrator convinces him not to commit murder. Months later she comes across him again and learns about his final confrontation with the object of his hatred.

I don’t think I care much for this story. While the story itself was interesting, Alcott’s tone seemed to me a bit condescending. I don’t think she means to sound so. But I suspect the fact that the Yankees were fighting for the freedom of the blacks lends a sense of self-righteousness to her tone of writing. It marred the tale for me. Of course, it was interesting to see a wee bit of the otherside of the Civil War after having read Gone with the Wind last year. Yet, over-all, this story did not affect as much as it could have had Alcott written it better.

So, what short stories have you managed to read this past week?

Short Stories on Wednesdays #24

Short Stories on Wednesdays is a weekly event hosted here, at Breadcrumb Reads. The purpose of this event is to encourage people to read at least one short story a week. There are no limits, of course! If you have made a post on the short stories you’ve read this week, please do leave a link in the comments section. If you haven’t made a post, it does not matter. I’d still love to know what you’ve been reading. Just put the titles down in the comments section.

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 Before I begin a brief commentary on the one short story I’ve read for this week, I would like to thank all those of you who have been taking part in this weekly event. It has been so much fun reading this literary form, and getting to learn of new writers through others’ reviews. This week is our last Wednesday of 2011. Next we meet it will be 2012! I hope you all have a lovely New Year!

Just a reminder that next year Short Stories on Wednesdays will have an added feature or two each month to makes things a bit more interesting for us. If you’re curious and have missed this post check THIS out to know what to expect…and to contribute if you would like to. :)

Now, to the story…

“Debby’s Debut” by Louisa May Alcott
That’s two down and one more to go in A Modern Cinderella and Other Stories. I found “Debby’s Debut” even more delightful than I did “A Modern Cinderella”. Debby is a pretty country-girl who has grown-up in a parsonage. When she is eighteen her rich aunt decides to introduce her to society, and hopes to help Debby make a rich, desirable match. However, our heroine is an honest young woman, uncaring of society’s languid and shallow displays. He truthfulness, freshness and honesty capture a few hearts, and in the process she finds true love — not among the rich, but with a hard-working man she can and does respect.

I loved the characters, especially Debby who really is charming. She isn’t perfect like Nan from “A Modern Cinderella”. She has her flaws that do cause heartache toward the end of this short story. But she is admirable and loveable. Her wit is delightful. If you have ever read Georgette Heyer’s Arabella, I would say that Debby is Arabella’s prototype.

If you would like to read this short story here’s the online text.

So what have been your last short stories for the year?